Offering Vocal Destruction since 1909.


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DISCLAIMER: Ninjamamalickum may attack in various sounds and shapes at random national art happenings, live concerts, television, radio, and web broadcasts, theatrical and musical collaborations at a town near you. Please be advised of the effects of these sudden appearances.* 

Site content/intellectual property: Copyright ©1999-2016 by Jasmine Orpilla. All rights reserved worldwide.


Offering Vocal Destruction© for Ninja Academy since 1909.

Ninjamamalickum, a.k.a. Jasmine Orpilla, is a Filipina-American vocal medium, ritual performance artist and composer for experimental musical theatre.
Though raised in Saudi Arabia and Japan her roots remain in her family’s barrio of Salindeg in Ilocos Sur, Philippines. Her G3-C7 full vocal range and 250+BPM busting, spans not only her immersion into various eclectic styles and vocal placements meant for male as well as female voices, but also her respect to the different cultures in which she had immersed herself in order to learn traditional musical/performance practices from Japan, China, Philippines, Morocco, etc. Strongly marked by her experience performing for significant world opera and theatre directors Ariane Mnouchkine, Peter Sellars, Akira Matsui (Nogaku, Kita) and Master Pei Yanling (Peking Opera), she teamed up with both ARTA (Association de Recherche des Traditions de l’Acteur) and Grenoble’s Theatre 145 in France, in order to further her exploration of ancient theatrical traditions that connect to the rituals of her own heritage, as well as to her political beliefs in art as a literal Medium for change…

Her live -Current Happenings Here-

…Her cross-disciplinary performance pieces earned her attention in Parisian and Berlin performance festivals as well as the eventual award from the Mayor and City of Paris for original composition, (for jazz quintet, voice, electroacoustic programming of Parisian field recordings and set to Bertolt Brecht’s poetry as translated by Jasmine into French Sign Language; Festival Metiss’Age- l’Amour; Les Chantiers de Blaye, Vues d’Ici 2003; Prix Paris Jeunes Talents, 2004). Her accompanying musical work also received national radio attention in France and currently has distribution throughout Europe (SACEM; Radio France; Edel Records, Warner France)…

…The only Filipina-American performing professionally in the Paris circuit in the late 90’s, Jasmine was offered roles in French film and national French television(TF1 2002-2004), participated in the creation of  legendary Théâtre du Soleil’s “le Dernier Caravanserail,” and was featured in numerous Parisian theatre companies in the collaboration of original musical theatre works, featuring her compositions (Les Blancs Manteaux, Les Deschargeurs, Théâtre du Chaudron, Cabaret Sauvage). Ironically, she would perform onstage not only in Ilocano but in fluent French, or in German, Japanese, Italian, Cantonese, yet never in her native English until coming back to the USA in 2007…

Her live-Current Happenings Here-

…In California, her performance art was featured on KTLA Morning, on ABS-CBN for The Filipino Channel and selected for art shows and events throughout L.A. (The Hammer Museum, Hauser Wirth & Schimmel, LACMA Art & Technology, LACE, Skirball Cultural Center, OTIS, Machine Project LA, CannibalArtFlower, HumanResourcesLA, Downtown L.A. Artwalk, Chinatown ArtNight, etc).  In an array of opposing styles, she has sung at most commercial and underground L.A. music festivals and clubs such as the Knitting Factory, the Crash Mansion, the Steve Allen Theatre, the Echo, Pehrspace, Venice  Beach Music Festival, Eagle Rock Music Festival, the Upright Citizens Brigade with Matt Walsh and Tim Meadows, to name a few. In 2008, Jasmine professionally toured solo across the United States performing her multiple voices to represent issues of racial diversity in America. In Spring ’09 she was selected to also perform in ArtTalk (Pasadena Playhouse District, Boston Court Theatre, in solo performance) and ArtNight Pasadena ‘09, for which she, together with the all-Asian-American multidisciplinary post-prog-punk-bebop band Ninja Academy were awarded a performance-grant from the city’s Arts & Culture Commission and the Division of Cultural Affairs. 2009 also marked further development and performance of Jasmine Orpilla’s vocal ‘art-as-social-action’ ritualized heritage pieces which were curated twice in a row by REDCAT in Walt Disney Concert Hall Such pieces have been integrated into her work as a « controversial » teaching artist (at CalArts, Pomona College, OTIS etc) and with the generous support of Sony Pictures, William Morris Agency, Deutsch Inc.,Target and more.

Jasmine has collaborated in the creation and live performance of original sound structures with experimental musicians and artists such as Steve Roden, Llyn Foulkes, Nels Cline and Hans Fjellestad. She was awarded the Durfee ARC for her own experimental sound and musical theatre work, featured at the Los Angeles Theatre Center, where she was Musical Director and performing member of the, again, controversial Vault Ensemble.

More recently, Jasmine Orpilla’s performance in the LATC’s  MELANCHOLIA 2013 has received rave reviews for her operatic personification of DEATH.  Playing in the role of GOD, Jasmine Orpilla was also featured as one of LA WEEKLY’s Top 10 Most Memorable Art Events in LA for 2012.  In 2014-15, Jasmine lead in fellow psychic medium and theatre director Asher Hartman’s revolutionary spirit-channeled work Purple Electric Play(featured in Art in America, KCET Artbound).
Interesting surprises include: Jasmine’s psychic « coming out » ritual of conjuring 100 Japanese demons at Machine Project LA (see below), performing with Sheila E. at the 34th Playboy Jazz Festival Hollywood Bowl, and at the TED Conference ’11 curated by Juan Enriquez and Bill Gates; recording live with Jonathan Snipes (of Captain Ahab) as the cyberborg God/dess in Patrick Kennelly’s « PATTY the Revival » at Highways Performance Space Santa Monica, which was 5 times nominated (Best Musical, Best Ensemble, etc) for LA Weekly’s ’13 Theatre Awards.

WARNING: Slight ‘highbrow’ matter in the above text. Why not reeeeeeaaaally get to know her by simply clicking on the orange menu, starting with « Jasmine’s Psychic » or ‘All New Live Shows’ ? So. Much. Clicky. Funstuff. Do ENJOY!

*Site content/intellectual property: Copyright ©1999-2016 by Jasmine Orpilla. All rights reserved worldwide.


Jasmine Orpilla (photography by Haruko Tanaka)

For my piece « The Typhoon, the Rope, and the Slippers, » playing at REDCAT in Walt Disney Concert Hall November, I am collaborating with People’s CORE, 501 (c)(3), KmB Pro-People Youth, and the Alliance for a Just and Lasting Peace in the Philippines (AJLPP) to request your support to aid our sisters and brothers in the Philippines through Sagip-Tulong sa Pilipinas Emergency Relief Fund. Donations, such as those integrated within our performance, are arranged with Ang Kalusugan para sa Pinoy Inc. (AKAP: Embracing with Care), a non-profit organization registered with the Securities and Exchange Commission with 21 health stations in Metro Manila. AKAP is located at 7 Mulawin St., Mapayapa Village III, Capital Hills, Quezon City, tel. (632) 425-2576.  We will be collecting donations throughout the remainder of 2009.

A very special thanks to The Filipino Channel ABS-CBN  for doing the feature on my performance to help with our awareness efforts!

…For upcoming performances, click on « All New Live Shows. »  

Thank you! 



The Typhoon, the Rope and the Slippers, copyright © 2008-2015 by Jasmine Orpilla. 

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